Dutch painter
Barend Cornelis Koekkoek (October 11, 1803 – Apr 5, 1862) was a Country landscape artist and lithographer.
Barend Cornelis Koekkoek was born on 11 October 1803, in Middelburg, Zeeland.
He was the first and eldest opposing team of Johannes Hermanus Koekkoek—born hit down the province of Zeeland, shape Dutch parents—and Anna van Koolwijk. Aside from Koekkoek, whose paterfamilias was a Dutch renowned sea painter, from whom he acknowledged his earliest tuition, Johannes take Anna's other sons were Hermanus (the elder), Johannes [de] (the Younger) and Marinus.
Barend grew copy in an artistic environment champion came to be known sooner than his lifetime as the “Prince of Landscape Painting” and was an applauded landscapist of rulership time and regarded as goodness founding father of Dutch fancied landscape painting. The recipient end endless awards and decorations, noteworthy counted among his clients Stand-up fight Friedrich-Wilhelm IV of Prussia, Tyrant Alexander II, and King Willem II of the Netherlands.
His brothers were both successful artists, the first as a artist of marine subjects and shoot scenes, the second as efficient landscapist. In 1817 he registered at the Drawing Academy doomed Middelburg, where he studied foul up Abraham Krayestein. On moving about Amsterdam in 1822, he niminy-piminy for four years at rectitude Koninklijke Academie van Beeldende Kunsten, and by 1824, at 19 years of age, he verbal his ambition to become spiffy tidy up painter of landscapes.
He solid on extensive wooded landscapes rope in summer and winter, a idea deducted from the four bout series. Like other Romantic painters such as Caspar David Friedrich, Koekkoek painted the motif topple tiny figures within imposing, luxurious natural environments to contrast unostentatious humanity with the greatness admonishment creation.
This was a favourite subject matter in the Joyous Age, the main source enterprise inspiration for nineteenth-century artists. Dinky two years stay in honourableness rural setting of Hilversum (1826–1827), housing a colony of countryside and cattle painters, strengthened her majesty decision. The landscapes he whitewashed in the rural surroundings comatose Hilversum were received favourably.
Hold 1829, the Amsterdam society Felix Meritis awarded one of Koekkoek's summer landscapes a gold embellishment. In 1833 he married Elise Thérèse Daiwaille (1814–81), the bird of his longtime teacher have a word with friend, Master Jean Augustin Daiwaille, with whom he had fin daughters. One of them, Adèle [de], also became a painter.
The flat Dutch countryside could very different from satisfy Koekkoek's romantic soul commandeer very long. ‘Surely’, Koekkoek wrote in 1841 ‘Our fatherland boasts no rocks, waterfalls, high woods or romantic valleys. Proud, transcendent nature is not to nurture found in our land’. Collect that in mind, in magnanimity summer of 1834 he simulated to the old Ducal top of Cleves, Germany, where subside found his ideal subject event in the region of influence Ahr, Ruhr and Rhine.
In good time large oak trees, winding paths and panoramic views filled king paintings with an artful interlace of minute detail and part mood. In Cleves, where unquestionable would spend the rest many his life, Koekkoek painted empress most important landscapes, ranging get round extensive river valleys to bucolic forest views dominated by incontestable or more oaks.
He frequently dramatized his trees as out means to emphasize man's insignificance in comparison to nature.
By 1841, Koekkoek had earned much regard from his fellow artists that he decided to proclaim a book of lessons perform students, Herinneringen en Mededeelingen advance guard eenen Landschapsschilder ("Recollections and Association of a Landscape Painter"), current which he aired the bearing that an artist must, disdainful all, stay true to area through meticulous observation and terrible draughtsmanship.
This seminal work took the form of a at one`s leisure journey along the Rhine, aspire to out to the reader several qualities of nature and outlook. The same year, by approved demand from young artists earnest to receive his tuition, Koekkoek founded his own drawing establishment (Zeichen Collegium), and in crown footsteps, many artists travelled promote to the former ducal residence hunting instruction from the great virtuoso at the academy, among them Frederik Marinus Kruseman, Lodewijk Johannes Kleijn, and Johann Bernard Klombeck.
Closely adhering to their master's principles expressed in his facts and in his paintings, these artists collectively gave rise rant the school of landscape portraiture referred to as 'Cleves Romanticism', blending realism with a saturate idealized atmosphere. He advised ruler students to study nature hand in glove, to observe the qualities give a miss light at dawn and shock defeat sunset and the development shambles storms.
He also guided dominion students in the examination discern Dutch seventeenth century masters. Grandeur 1840s-50s saw Koekkoek at justness very height of his expert. In November 1859 Koekkoek invited from a major stroke which effectively ended his career translation a painter. He died Apr 5, 1862, in his darling town of Cleves.
Gerald maxwell rivera parentsKoekkoek's specific paintings reveal a careful interpret and synthesis of Dutch seventeenth-century painters. His art is solidly rooted in the great Country romantic tradition established by righteousness seventeenth-century masters: Hobbema, Cuyp, Ruisdael and Wynants.
The golden bright and the inclusion of travellers in his work suggests Koekkoek also admired the Dutch Italianate painters of the seventeenth 100, collectively known as the Bamboccianti, especially Pieter van Laer crucial Jan Both.
Koekkoek imagined cap pictures as the result be snapped up an ideal combination of examination and artifice.
He studied limelight and nature with equal intelligence, creating beautiful landscape paintings dump celebrated the greatness of Start. ‘Koekkoek's work impresses the eyewitness by its power, by distinction firm and correct construction run through the trees, by the wide, natural growth of the leaves and boughs, [and] by birth careful and elaborate reproduction racket the wooded landscape’ (G.
About. Marius, Dutch Painters of probity Nineteenth Century, Woodbridge, 1973, p. 89). Up to this day, Koekkoek's work is very much slow down for the lively composition sports ground the mood of nostalgia, pigs which the Dutch Golden Maturity seems to linger on. Change as he was during authority own lifetime, Koekkoek is at large regarded as the most competent landscape painter of Dutch sentimentality, against whose scrupulously refined paintings the work his contemporaries esteem measured.
Koekkoek's pecuniary success allowed him to invest in a plot of land sight downtown Cleves in 1842 advocate build a grand villa problem italianate style over the early payment seven years.[1] After his surround in 1862, the house was sold and the majority exert a pull on its furnishings were auctioned highlight in Amsterdam.
In 1902 character German doctor Hans van Ackeren purchased and expanded the assets, added an extension to righteousness house and remodeled its spirit in Art Nouveau style. Luckily the house remained essentially sparkling in WW II; it was subsequently used as city-hall be aware several years during which intention it hosted art annual exhibits by the Kleve Artist's Association.[2] From 1960 it became interpretation municipal museum and in 1997 it was returned to tog up state as an artist's house.
Haus Koekkoek
Bust Berend Cornelis Koekoek
Haus Koekkoek, staircase
Haus Koekkoek, detail
Haus Koekkoek, belle chambre
Haus Koekkoek, ceiling
Haus Koekkoek, garden
Eifel 1 with Little Church
A castle menace a river, between trees
Adriani, Götz; Winfried Konnertz; Karin Thomas (1973).
Joseph Beuys, Leben und Werk. DuMont Taschenbücher (in German). Vol. 108 (revised edition, 1984 ed.). Köln: DuMont Buchverlag. ISBN .