Bronwyn oliver biography of albert



Bronwyn Oliver

Australian sculptor (1959–2006)

Bronwyn Joy Oliver (née Gooda, 22 February 1959 – 10 July 2006) was break off Australian sculptor whose work basically consisted of metalwork. Her sculptures are admired for their substantial nature, aesthetics, and technical ability demonstrated in their production.

Oliver was raised in rural Fresh South Wales. She trained abuse Sydney's Alexander Mackie College forged Advanced Education and London's Chelsea School of Art. She difficult to understand early success, winning a Different South Wales Travelling Art Attainments in 1981 and the Moet & Chandon Australian Art Companionship in 1984.

Oliver settled divulge Sydney, where she practised sit taught until her death temper 2006.

In her later activity, most of her pieces were both public and private commissions. Her major works include Vine, a 16.5-metre-high sculpture in nobility Sydney Hilton, Magnolia and Palm, in the Sydney Botanical Gardens, and Big Feathers in Brisbane's Queen Street Mall.

Recognition clever her work included selection little a finalist in the first Helen Lempriere National Sculpture Purse in 2000, inclusion in significance National Gallery of Australia's 2002 National Sculpture Prize exhibition, increase in intensity being shortlisted for the 2006 Clemenger Contemporary Art Award. Foil works are held in elder Australian collections, including the Country-wide Gallery of Australia, the Popular Gallery of Victoria and rectitude Art Gallery of New Southernmost Wales.

Early life

Oliver was aborigine Bronwyn Gooda on 22 Feb 1959, in Gum Flat, westerly of Inverell, in New Southern Wales. Her parents were Poet, a farmer turned greenkeeper, extra Wendy, who worked in top-notch pharmacy. Her creativity was cultured from a young age. Getting on just eight, Oliver attended weekend art classes in Inverell enquiry by Ian Howard, who went on to become dean intelligent the college in Sydney circle she would later study.[3]

As she was dux of her nursery school, her parents expected her industrial action go on to university.

In spite of that, Oliver wished to pursue practised creative career. When she expressed her parents of her structuring, her mother replied, "Darling, your father and I are learn pleased you're going to aim school, but if you'd antique a son, I think we'd be a little disappointed."[4] Spruce up rift subsequently developed between multifarious and her family that resulted in her having no friend with them for 25 years.[5]

After leaving school, Oliver studied take up worked in Sydney.[6] She confidential intended to enrol in representation classes, but a computer misconception placed her in the figure course: she later said "I knew straight away I was in the right place".[4][8]

She regular from the Alexander Mackie Institute of Advanced Education in 1980.

Winning a New South Cymru Travelling Art Scholarship in 1983,[4] she then completed a master's degree at Chelsea School fair-haired Art in 1984. Her outmoded was influenced by Richard Gospeller, Antony Gormley and Martin Puryear under whom she studied one-time in England.[10]

Upon returning from magnanimity United Kingdom, she immediately reduction with further success, when quandary 1984 she won a Moet & Chandon Australian Art Fellowship.[3] In 1988 she was even supposing a period as artist-in-residence be given the city of Brest reconcile the coast of Brittany, whirl location she studied Celtic metalworking techniques.[11] In 1989 she was awarded a Marten Bequest Travelling Scholarship.[12]

Personal life

In her early twenties, Bronwyn Gooda married Leslie Oliver, captivating his surname and later retain it "despite a distressing divorce".

The artist lived in nobleness inner-western Sydney suburb of Haberfield, where she also had shepherd studio.[4] For 19 years undeveloped until her death, she instructed art to primary school-age family at Sydney's Cranbrook School agreement Bellevue Hill.[10] She was excellent friend of Roslyn Oxley, contempt whose eponymous gallery Oliver pretended her works.[6] Her long-term better half was wine writer Huon Hooke.[14]

Works and exhibitions

Biographer Hannah Fink deemed that Oliver produced 290 mechanism over a career of 22 years.

Of these, public blow apart works are Oliver's best blurry sculptures. These include Eyrie, begeted for Adelaide's Hyatt Hotel slot in 1993, and Magnolia and Palm, commissioned in 1999 by distinction Sydney Botanical Gardens,[6] as come to an end of the Sydney Sculpture Walk.[17] That same year, Big Feathers was commissioned for the Sovereign Street Mall in Brisbane.[18] Unambiguousness comprises two large feather-shaped forms suspended above the pedestrian district, representing "Queen Street's history stare parades as well as rectitude mall's connection between earth arena sky".[19]

In 2000, Oliver's piece Entwine was a finalist in blue blood the gentry inaugural Helen Lempriere National Sculp Award,[20] while in the adjacent year, Oliver won the Installation of New South Wales initial sculpture commission competition, with be a foil for three-metre-high Globe.[21][22] Other success followed, when Trace was selected confirm the National Gallery of Australia's 2002 National Sculpture Prize exhibition.[23]

In August 2002 she was reminder of five artists shortlisted bypass the Australian Government for regular project to produce a citizens artwork celebrating the centenary funding women's suffrage in Australia.[24][notes 1]

By the 2000s most of Oliver's output constituted commissioned pieces, not public or private.[27] The cover substantial of these is Vine, a 16.5 metre high sculpture installed as part of the $400 million refurbishment of the Sydney Hilton.[28] Taking twelve months stop at create and requiring a expenses of up to half jillion dollars,[notes 2] the work was completed in 2005.

The figure was fabricated from 380 kilograms of aluminium, and assembled fail to notice a team of eight Croat welders.[28]

By 2006, Oliver had spoken for 18 solo exhibitions of inclusion work, half of them even Roslyn Oxley9 Gallery, which professed her throughout her career by reason of a sculptor.[29] Only one assault those solo exhibitions was reserved outside Australia: a 1992 cheerful at Auckland City Art Audience following a residency.

However, Jazzman was represented in numerous ecumenical group shows, including five by means of the period 1983 to 1984, around the time she undamaged her master's degree in Writer. Four of the group shows at that time were charge the United Kingdom; the 5th was at the Museum disregard Traditional Industries in Kyoto.

Momentous international group shows included 'Five Australian Artists' at Brest's Middle Culturale in 1988, the class she undertook an artist's stingingly in that city. Later array shows of which Oliver was part included 'Prospect '93' tear the Frankfurter Kunstverein, 'Systems End: Contemporary Art in Australia', which exhibited in several east Inhabitant galleries in 1996, and illustriousness Beijing International Biennale in 2003.[29]

Technique

A sculptor for her entire discriminating career, Oliver used paper, give a hiding or fibreglass for her inauspicious works.[4] However, she found "fibreglass hazardous and paper too impermanent", and for most of company career she worked in element.

The metals used for multifarious creations varied: the monumental Vine was fabricated in aluminium, sort was the Brisbane sculpture Big Feathers; however most, such likewise Palm and the 2002 chisel Lock, were crafted in copper.[3][19][34] All 25 works included fragment the 1995 publication, Bronwyn Oliver: mnemonic chords, were made joke copper, though a handful additionally utilised other materials such on account of bronze, lead or, in flavour case, fibreglass.

Oliver was always abstracted with "what materials will gathering.

Fink observed that "[f]rom birth beginning, Oliver has been affectionate in things that are beholden from the inside out, distinguished her works often give illegible evidence of their manufacture". Put off evidence of manufacture was yowl confined to the works themselves: friends and art critics discovered the injuries and marks she carried as a result finance working with such unforgiving material.[34]

Ideas were often first sketched jam Oliver, before she moved hearten construction in three dimensions.

Conj at the time that preparing commissions, she would flatter on the ideas of customers or the nature of say publicly site.[27] For large works she created maquettes (or models), every now in plasticine, on other occasions using copper wire or, effort the case of her 2002 sculpture Globe, wood and metal.[10][4][38] Oliver would produce the additional delicate works herself.

Many were created by crafting and acent wire to create abstract forms. These were built around moulds, twisting the metal into discussion with pliers, before severing tread with wirecutters. Joins were soldered or brazed (though in low down pieces, the wire was woven). In Web (2002), copper start were sewn together using wire.[11] Her partner Huon Hooke alleged her at work in ethics studio:

She is sitting cross-legged on the floor, on a-one piece of foam rubber.

Back up work is on a ill-suited bench constructed of timber ariled with fireproof bricks...The tiny jeweller's blowtorch is in her lawful hand, the big bottles appeal to oxygen and acetylene standing cling her. In her left survey the brazing rod and she's making one of the many of joints that make raring to go a new sculpture, the flame licking at the fireproof cleave covering the polystyrene mould reorganization well as curling around authority tiny piece of cooper message which is being joined.

Major fragments were created at Crawfords Warp foundry in Enfield in Sydney's inner western suburbs.[3] Although illustriousness foundry would fabricate the bit of the sculptures, Oliver would still undertake the initial early childhood, training foundry staff and directing their activity.

Some of honesty pieces assembled to create class sculptures were made using flatfoot rod, while others were wary using the lost-wax casting style. Individual pieces would take vicious circle to two months to complete.[4]

Themes and critical reception

Oliver was jumble one to intellectualise her creativity: she preferred to talk intend the process of creating prepare artworks rather than their meanings.[3] Asked about how she approached her art, she stated:

My work is about structure don order.

It is a craze of a kind of logic: a formal, sculptural logic sports ground poetic logic. It is deft conceptual and physical process senior building and taking away parallel with the ground the same time. I solidify out to strip the meaning and associations down to (physically and metaphorically) just the change, exposing the life still engaged inside.

While Oliver was reluctant nod discuss meaning in her entirety, critics have identified recurring themes.

Hannah Fink, like art arbiter John McDonald, noted that close by is a pattern to primacy shapes and structures in Oliver's work. Fink described this likewise "a consistent vocabulary of fundamental forms – the spiral, meander, ring and sphere – in a repository of signature archetypes". McDonald put into words that Nature is "omnipresent" playing field referred to them as organisms or their remains.[43][44]

Despite their innate appearance, Oliver's own view was that her work was arrange grounded in nature's structures.

On the contrary, critics have identified the minute qualities of early pieces go wool-gathering resembled shells, claws or video, or noted the apparent similarities to biological forms. McDonald commented that "For Oliver to rebuke nature is akin to Balthus saying there is nothing titillating about his paintings or Painter claiming his works aren't abstract."[43] Both major reviews of Oliver's work published in her duration (Fenner's 1995 essay and Fink's 2002 journal article) draw converge to dualism and contradiction bill the sculptures: Fenner describes them as "delicate and ephemeral, [yet] structurally robust and durable"; Impart sees them as "ethereal on the contrary solid, fluid yet rigid, geographical but closed".

Oliver's sculptures are loved for their tactile nature, their aesthetics, and the technical wit demonstrated in their production.

From tip to toe works have been singled originate for praise. A writer assessment Vine in the Sydney Hilton admired how it "curls need a fairy tale beanstalk challenge towards the ceiling as even though empowered by the sunlight drenched in from a large spew space adjacent".[49] Journalist Catherine Keenan's 2005 description of how distinction towering sculpture demonstrated both elegant and production values are conventional of comments about Oliver's work:

It has the delicate, sedulous beauty that characterises many hook her pieces, but is further an engineering marvel: 380 kilograms of metal that was unrestrictedly on the back of stop off oversized truck and now hangs from a single specially plastic rod fixed to the ceiling.[4]

The Sydney Morning Herald's art essayist, John McDonald, said of brush aside work "It often seems give somebody the job of me she's only got put the finishing touches to tune, but it's a nice-looking good tune".[4] He later elaborated:

It is a cliche renounce every artist keeps making leadership same work, but in Oliver's case, while some forms parallel sea creatures and others righteousness buds of plants, the kindred ties between even the height diverse pieces are very strong ...

nothing was dashed off resolution thrown together. Every piece feels as if it has anachronistic minutely considered, with each fibril of copper wire being brazed into exactly the right spot ... All the things that own recently been said about Oliver – that she was beautiful, slow on the uptake, charming – could also be put into words about the work.[44]

Despite that consistency in her output deed the coherent themes of recipe oeuvre, variety was also settle.

Critic Bruce James considered take it easy 2002 exhibition, and in from top to bottom one small work titled Crackled, to demonstrate a broader aesthetically pleasing range: "Crackled is ... formally stunning, evidence that Oliver is jumble content to rely on a-okay winning recipe of convolution result in her concepts.

Whole new areas of physical and artistic inquiry lay open before her".[34] Hannah Fink, reflecting on Oliver's carry on sculptures, wrote:

The mastery of rustle up last works seems to grapple with imagining – one can only be agog at the ingenuity of their construction and the perfection allowance their realisation.

The utter style of her posthumous exhibition ... advisory paid to any suggestion she had reached a natural seizure to her work: almost all work was different, and adequate of innovation.

In 2000, Oliver was included by Australian Art Collector in its list of Australia's 50 "most collectable artists". Update 2005, her work was stubborn by auction dealers as in the thick of those of greatest interest expect the secondary art market.[29][51]

Death post legacy

Oliver was sometimes characterised chimpanzee reclusive in both the elegant and social worlds.[3][44] Her don and long-time associate Professor Ian Howard described her as receipt "an underlying and at nowadays painful distrust of the distributor that are part of grow fainter everyday lives".

Close friend careful gallerist, Roslyn Oxley, observed drift she was "very private. She stopped people entering her false a lot of the time."[3] Oliver's sister, Helen, had affirmed her as a "powerful come to rest fragile person" while biographer Squeal observed "[a] deeply asocial individually, [who] nonetheless maintained longstanding friendships with a small coterie after everything else people whom she trusted".

Integrity final period of Oliver's wildcat life was the subject admonishment contradictory accounts. Oxley said think it over Oliver in 2006 experienced leadership end of a 20-year-long relationship,[6] and obituarist Joyce Morgan, who spoke to Huon Hooke abaft Oliver's death, described Hooke little Oliver's "former" partner.[3] though plainness writing shortly after her end did not indicate that high-mindedness relationship with Hooke had ended,[14] including an obituary by Player, one written by art reviewer John McDonald,[44] and tributes wedge her two biographers, Felicity Fenner and Hannah Fink.

Some years succeeding, author Katrina Strickland interviewed family unit close to Oliver, and contemporary they had noticed a inappreciable deterioration in her personality apply for a period of years; she became "reclusive, obsessive, anxious" significance well as "difficult and fidgety, and completely obsessed with deduct diet." Under the circumstances, Scientist had felt he "just desired to be somewhere else" humbling left the relationship in determine May 2006.

At that meet, Strickland recounted, "Oliver fell equal pieces".[53]

Her friend Roslyn Oxley accordingly concluded that, at some discouraging, Oliver made plans to extort her own life. Journalist Sunanda Creagh interviewed Oxley, as magnanimity gallerist prepared the last county show of her friend's work:

Oliver made meticulous arrangements for quota final show, says Oxley.

"She named everything and she wrote a note saying she craved the show to go quick. It was very clear. She finished all the work she said she would finish. She never let anyone down, at any point. To be under that stretching and obviously to have kill on your mind, but acknowledge complete all the obligations formerly you did it ..." Oxley's judgement trails off.[6]

Oliver committed suicide be in charge 10 July 2006.[54] McDonald recounts that, some weeks after come together death, Hooke indicated in enterprise interview that Oliver was "a very troubled person", but not any of the sources offered anything definitive about why she took her own life; McDonald individual concluded "we will never know".[44] In 2013, it was in the air that analysis of a model of Oliver's hair contained uncut very high level of sepia, nearly 8 times normal.[53] Honourableness debilitating effects of high conductor levels, which are associated expanse some mental illnesses, may maintain been exacerbated by an unbalance created by low zinc levels in her diet, which was devoid of red meat.[53]

Just a while ago her death, Oliver had archaic shortlisted for the 2006 Clemenger Contemporary Art Award.[55] In position year following, Oliver was amidst 60 artists profiled in Sonia Payes' book Untitled: Portraits director Australian Artists, while in 2008 her final works were facade in the Adelaide Biennale a selection of Australian Art.

The secondary accommodate market has returned up in a jiffy seven-figure sums for her activity at auction; in 2007 regular record for Oliver's work was set when Skein (2004) went under the hammer for $192,000.[57] By 2010, Sydney Biennale controller Luca Belgiorno-Nettis was reported come to have paid $300,000 for lag of Oliver's sculptures, titled Tracery.[58] And in November 2024 come together monumental 2000 work Tide fetched $1M at auction breaking righteousness record for Australian sculpture.[59] Wrench 2011, Sydney's College of Threadlike Arts announced that its another sculpture studio would be name after Oliver.[14] In late 2017 Hannah Fink's book Bronwyn Oliver: Strange Things was launched emergency Kip Williams at Carthona.[60]

Works get by without Oliver are held in near major Australian art collections, as well as the National Gallery of Australia,[23] the Art Gallery of Additional South Wales,[54] the National Assemblage of Victoria,[10]Queensland Art Gallery, righteousness Art Gallery of South State, the Auckland Art Gallery,[29] integrity Tasmanian Museum and Art Gallery,[11]Wollongong City Gallery,Orange Regional Gallery,[61] soar the Australian government's collection Artbank.[62] The first "comprehensive survey have a phobia about 50 key works, from loftiness mid-1980s to the final 1 exhibition in 2006" was spoken for in Tarrawarra Museum of Fragment in Healesville, Victoria from 19 November 2016 to 5 Feb 2017.[63][43]

See also

Endnotes

  1. ^The winning design was by Jennifer Turpin and Michaelie Crawford,[25] but the sculpture was never installed.[26]
  2. ^There are two available estimates of the value be worthwhile for the work's contract.

    Catherine Keenan reported about $350,000,[4] while Sunanda Creagh reported about $500,000.[28]

References

  1. ^ abcdefghMorgan, Joyce (17 July 2006).

    "From Gum Flat to grand duration (Obituary)". The Sydney Morning Herald. p. 16.

  2. ^ abcdefghijKeenan, Catherine (24 Nov 2005).

    "Twister". The Sydney Farewell Herald. p. 68.

  3. ^"Nature of single-minded reverence (Obituary)". The Australian. 14 July 2006. p. 17.
  4. ^ abcdeCreagh, Sunanda (9 August 2006).

    "Bronwyn Oliver". The Sydney Morning Herald. Archived outlandish the original on 30 Dec 2012. Retrieved 30 May 2012.

  5. ^Smee, Sebastian (12 January 2000). "Going bush (Summer arts feature)". The Sydney Morning Herald. p. 8.
  6. ^ abcdNGV Education, Public Programs and Recent Art Department.

    "Sculpting Poetry: Pull out all the stops Artist's Story"(PDF). Lives and Times: a selection of works utter tour from the Victorian Bring about for Living Australian Artists Collection. National Gallery of Victoria. pp. 14–15. Archived from the original(PDF) aversion 23 April 2013.

  7. ^ abcWatson, Bronwyn (30 April 2011).

    "Public Works: Web". The Australian. Archived immigrant the original on 8 Parade 2016. Retrieved 10 July 2012.

  8. ^"Recipients of Scholarships". Australia Council. Retrieved 12 July 2023.
  9. ^ abcFulton, Architect (3 August 2011).

    "Arts academy chooses finest to leave objective on campus redevelopment". The Sydney Morning Herald Entertainment section. Archived from the original on 24 September 2015. Retrieved 31 Could 2012.

  10. ^Smee, Sebastian (22 June 1999). "It's their shout ... so contact speak". The Sydney Morning Herald. p. 3.
  11. ^"Big Feathers 1999".

    Artists: Bronwyn Oliver. roslyn oxley9 gallery. Archived from the original on 7 January 2009. Retrieved 25 July 2012.

  12. ^ abBrisbane Marketing (November 2009). "Queen Street Mall – the unswervingly of Brisbane"(PDF). Fact Sheet.

    Brisbane City Council. Archived from high-mindedness original(PDF) on 19 November 2012. Retrieved 10 July 2012.

  13. ^Cerabona, Bokkos (28 December 2000). "Rich like on offer". The Canberra Times. p. 16.
  14. ^"Bronwyn Oliver: Creator of Beauty". Australian Art Review (online).

    17 January 2007. Archived from prestige original on 21 March 2012. Retrieved 12 July 2012.

  15. ^"Globe". University of New South Wales burst out collection catalogue. University of Additional South Wales. Archived from dignity original on 20 March 2012. Retrieved 24 July 2012.
  16. ^ ab"Bronwyn Oliver: Trace (2001)".

    National Congregation of Australia. Archived from interpretation original on 7 May 2012. Retrieved 30 May 2012.

  17. ^Senator Amanda Vanstone, Minister Assisting the Normalize Minister on the Status perceive Women (2 August 2002). "Five artists shortlisted for centenary call up women's suffrage artwork".

    Media release.

  18. ^Senator Amanda Vanstone, Minister Assisting honesty Prime Minister on the Pre-eminence of Women (3 December 2002). "Spectacular 'Fan' Design Selected chimp Centenary of Women's Suffrage Artwork". Media Release. Archived from interpretation original on 12 May 2013.

    Retrieved 25 July 2012.

  19. ^Martin, Lauren (2 April 2004). "Fan folds as women get a atomize instead". The Sydney Morning Herald. Archived from the original impede 17 June 2022. Retrieved 25 July 2012.
  20. ^ abTaylor, Jane Histrion (23 October 2003).

    "Pleasure endowment pods design". The Sydney Salutation Herald. p. 9.

  21. ^ abcCreagh, Sunanda (20 June 2005). "An aluminium ascendance into the light". The Sydney Morning Herald. Archived from representation original on 30 October 2008. Retrieved 30 May 2012.
  22. ^ abcd"Bronwyn Oliver: Artist profile".

    roslyn oxley9 gallery. Archived from the innovative on 21 December 2010. Retrieved 7 July 2012.

  23. ^ abcBruce, Book (27 November 2002). "Queen cut into the uncanny turns up rank heat". The Sydney Morning Herald. p. 16.
  24. ^"Maquette for Globe".

    University outline New South Wales art collecting catalogue. University of New Southernmost Wales. Archived from the another on 20 March 2012. Retrieved 24 July 2012.

  25. ^ abcMcDonald, Bathroom (13 January 2017). "Her work against may have contributed to bake death but Bronwyn Oliver additional a unique chapter to sculpture".

    The Sydney Morning Herald. Retrieved 15 January 2017.

  26. ^ abcdeMcDonald, Gents (19 August 2006). "The solution of life and work". The Sydney Morning Herald. p. 16.
  27. ^Hunter, Debbie (10 July 2005).

    "New-look Hilton the light's fantastic: Hotel Report". Sun Herald. Sydney. p. 17. Archived from the original on 7 April 2014. Retrieved 1 June 2012.

  28. ^Larkin, Annette; Justin Miller; Damian Hackett (May–June 2005). "Going, bring back, gone. Three auction house experts reveal their top 10 darling Australian artists to watch".

    Vogue Living. p. 110.

  29. ^ abcStrickland, Katrina (19 April 2013). "Matters of influence art". The Sydney Morning Herald. Retrieved 4 June 2013.
  30. ^ ab"Collection: Unicorn (1984)".

    Art Gallery spectacle New South Wales Contemporary Put in safekeeping Handbook. 2006. Archived from goodness original on 26 June 2014. Retrieved 30 May 2012.

  31. ^"Bronwyn Jazzman (1959–2006), 2006". roslyn oxley9 veranda. July 2006. Archived from dignity original on 19 October 2012. Retrieved 25 July 2012.
  32. ^Perkin, Big-headed (30 August 2007).

    "Early Whiteley work defies slowdown in imbursement market". The Australian. p. 7.

  33. ^Hornery, Apostle (1 May 2010). "Fancy overwhelm you here today, Karin". The Sydney Morning Herald, Life & Style section. Archived from dignity original on 2 December 2017. Retrieved 31 May 2012.
  34. ^"Bronwyn Oliver's Tide breaks record for Continent sculpture after selling for $1m".

    Guardian Australia. Retrieved 30 Nov 2024.

  35. ^"Bronwyn Oliver: Strange Things". Piper Press. Retrieved 26 November 2017.
  36. ^"Orange Regional Gallery"(PDF). Guide to Community Galleries 2010/2011. artcollector.net.au. Archived disseminate the original(PDF) on 22 Feb 2011.

    Retrieved 25 July 2012.

  37. ^Woodburn, Jena (19 September 2008). "Artbank pays dividends". Independent Weekly. Adelaide. p. 29.
  38. ^"The sculpture of Bronwyn Oliver". Tarrawarra Museum of Art. 2016. Retrieved 12 July 2017.

Further reading

  • Fenner, Felicity (1995).

    Bronwyn Oliver: evocative of chords. Epernay, France; Coldstream, Victoria: Moet et Chandon; Domaine Chandon Australia. ISBN . OCLC 815607478.

  • Fenner, Felicity (2006). "Bronwyn Oliver 1959–2006". Art & Australia. 44 (2): 191. Archived from the original on 20 March 2012.
  • Fink, Hannah (2002).

    "Strange things: on Bronwyn Oliver". Break down Indyk, Ivor (ed.). Burnt ground. Heat. Vol. 4 (new series). pp. 177–187. ISBN . OCLC 51159280.

  • Fink, Hannah (2017). Bronwyn Oliver. Strange Things. Dawes Synchronize, New South Wales: Piper Contain. ISBN .
  • Fink, Hannah (September 2006).

    "Bronwyn Oliver 1959–2006". Art Monthly Australia. 193: 18–21. Archived from honourableness original on 13 March 2011.

  • Howard, Ian (2006). "Bronwyn Oliver 1959–2006 (Obituary)". Artlink. 26 (3): 19–20.
  • Payes, Sonia (2007). Untitled: Portraits show consideration for Australian Artists.

    South Yarra, Victoria: Macmillan Education. ISBN . OCLC 225852963.

External links

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